Original scores for film, games, and interactive media.
What’s Wrong With Her? is a chilling suspense film directed by Thomas Petborisooth, exploring the dark undercurrents of a couple’s crumbling relationship. The soundtrack mirrors this psychological decay, contrasting the tenderness of a soft string ensemble with sudden, dissonant strikes that shatter the calm.
The Petting Zoo is my second horror soundtrack. Directed by Virginie Selavy, the film follows a group of friends who visit the Twisted Tree on Halloween night, unaware of what awaits. I scored this film with some of the most darkest music I’ve ever composed. Built on dissonant strings, abused violins, and processed found sounds, consider this score my love letter to discomfort.
A genre-bending journey through the world of Splinterlands. This score fuses classical orchestra and hard-hitting rock with textures from Nepalese, Chinese, Arabic, and Native American music. They create a soundscape fitting for a diverse universe with everyday people, evil gnomes, trolls, and war-mongering monsters. Stay locked in from the first card drop to the final victory.
A classical duel between light and shadow. Composed for the visual story Project Grimm, this piece uses at traditional string quartet with a piano to map the internal struggle of its characters. It stands as a testament to how music drives narrative tension.
Innocence twisted into fear. Directed by Antoine M. Dillard, the film revolves around a child, unable to sleep because The Sack Man won’t let him. For this award-winning horror short, I took childish and friendly melodies, then warped them into something unsettling. The goal was to get under your skin and stay there.
A sonic portrait of PTSD.
This score balances weary atmospheres with the emotional melody of the main theme ‘In the Memory of My Brothers.’ It is heavy and honest. It also marks the first time I recorded my Ibanez JEM guitar, using its clean, expressive tones to cut through the brooding orchestra.